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The Social Mobility Commission said it uncovered "stark differences" between how groups progress into work. Some minorities have higher jobless rates, although poorer white boys are least likely to go to university. Alan Milburn, chair of the Commission, said the British 'social mobility promise' was being broken. "British families are told that if their children go to school and work hard, they will be rewarded with good jobs and opportunities. But for many groups this promise is being broken," says the commission's report. "In recent months, the low educational attainment of White British boys has gained significant attention. However, when it comes to the transition from education to employment, this group is less likely to be unemployed and to face social immobility than their female counterparts, black students and young Asian Muslims." The study was carried out by education think-tanks LKMco and Education Datalab, looking at how students progress through schooling, if they go on to sixth form and university, and how their achievements translate into jobs. An uneven journey White boys from poorer backgrounds perform badly throughout the education system and are the worst performers at primary and secondary school, the report said. Black children, despite starting school with the same level of maths and literacy as other ethnic groups, are most likely to fail maths GCSE.

Lessons takes place at Anna's studio, Lucy La Riot , where there's an enormous table full of makeup and racks and racks of cherry print skirts and pink gauze baby dolls and leopard bras. I think vintage is the bees knees and I have a growing collection of swing dresses and circle skirts, but lately I've invested in more important pieces a cropped angora sweater from the early 50s, a 60s-era slip that deserve to be worn the way they were intended, with the hair and makeup of someone more sophisticated than a dead hoofer like me. And so here I am. Pinup 101 class is broken down into three eras the 40s, 50s and 60s with a major focus on makeup and hair. Going in chronological order, a period-appropriate model takes her place at the front of the room for Renee to do her magic on her face, from foundation to lip gloss. Then Anna replaces her to uncurl, brush out, and coif the models, giving step-by-step details the entire time. Their historical knowledge is impressive; they breeze through explaining the origin of the dramatic 50s cat eye and bold lip (a celebration after the scarcity of wartimes and Revlon is still making some of the same reds it made originally) and the more-is-more ethos of the 60s, with its big Priscilla Presley hair and beyond-smoky eyes. We are encouraged to ask questions, photograph, and discuss, but it's still intimidating. Me, with my moderate knowledge of vintage clothing and the historical references of these eras? I pale in comparison to the in-the-know ladies of this class, who wrap themselves in the restricting lingerie from the times and know how to tie a hair scarf with one eye closed. The last portion of the class is devoted to the clothing looks of this period: the shapes, styles and outfits that would be most appropriate should you want to dive into the pinup lifestyle.

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